Tuesday, 28 February 2017
Monday, 27 February 2017
Evaluation Question 3 - Part 1
Question 3
Part 1 (Unlimited budget decisions) Autumn Mitchell
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Harry Potter (franchise)
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Dark Knight
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Suicide Squad
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The Exorcist
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Casablanca
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Charlie and the Chocolate Factory
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The Shining
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Conjuring 2
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Friday, 24 February 2017
Evaluation Question 2
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Our professional sniper is an adult man. We wanted to almost
immediately show the audience that he was professional and of a higher level
than our trainee character this therefore conforming to the stereotype of age
and status complimenting each other and the higher the better. Although typical
of the adult to be in charge for our plot this was important to be presented
this way to grasp the idea that what the professional decides is final. We used
someone younger to show this as we wanted there to be a harsh brutality in consequences
when a professional’s needs are not met.
We dressed our professional in dark trousers, a large green
coat, boots and a black hat. We dressed him this way to give the impression
that he is so good at what he does that he does not need the full camouflage gear
as he can always get away with it. This contrasts our trainee who we dressed in
a navy-blue jumpsuit, dark boots, and a camouflage jacket. We dressed him this
way to present that he is not of a high enough level in his training to be able
to use his skills to get away as those are skills he does not have fully
developed once again converting to the stereotype.
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The
most important time at which the contrast in status is shown is in the during the
trainee sniping a civillian. When the trainee goes to take his shot there is clear
hesitation shown through the mise-en-scene, his finger begins to remble when
reaching to pull the trigger and he almost shuts his eyes to suggest he cannot
bare to look at what it is he is about to do, this suggesting that as he is of
this low status he does not want to go through with soemthong he is not ready
to do. The volume of the dialogue coming from the professional increases
dramatically, he begins to show agression and anger through his tone of voice “soldier
you are about to lose your target” “take the shot do it NOW”, this gives the
impression that he is ill-tempered and cannot handle someone as low down as the
trainee daring to ruin a mission for someone as important as himself. The
camera pace inceases and the panning across of the target becomes shaken to
show his hesitation, the editing process we used shot-reverse-shot on a number
of occasions whilst having the dialogue of the professional go over the top of
these shots. The way the dialogue goes over all the different shots implies
that he is of such a high status his word needs to be said no matter what goes
on in the shot while the trainee does not utter a word once again defining the
adult is in charge.
The
aftermath is the final portrayal of this contrast in status. The professional
and trainee flea the sniping site and appear in the woods, the professional
pulls out a cigar, this brings us back to defining age, the trainee looks
baffled at the concept of him having a smoke showing that he really is young
enough not to understand why he would want to smoke a cigar. “Start packing
down a riffle” the professional once again gives him orders and does not accept
any questions asked. The trainee goes on to apoligise for his hesitation whilst
carrying out the orders set by the professional the shot goes to a close-up of
the trainee packing away the riffle, he suddenly falls to the ground as he is
shot in the head by the professional. The shot revals the professional stood
behind him pointing a gun at his head. This moment is really important as it
represents that the higher the status the more you can decide including who
lives and who dies.
Tuesday, 21 February 2017
Friday, 17 February 2017
Similar Products - Research
Leon the
Professional
Directed by: Luc Besson
Stars: Jean Reno,
Gary Oldman, Natalie Portman
Writer: Luc Besson
Over-View: Mathilda, a 12-year-old girl, is reluctantly
taken in by Léon, a professional assassin, after her family is murdered. Léon
and Mathilda form an unusual relationship, as she becomes his protégée and
learns the assassin's trade.
Released: Release date: 3 February 1995 (United Kingdom)
Video link: https://youtu.be/DW1mY7a0AVE
MAIN PLOT IS SIMILAR
Of mice and
men
Originally published(book) : 1937
Author: John Steinbeck
Initial release: 2 October 1992 (USA)
Director: Gary Sinise
Screenplay: Horton Foote
Starring: John
Malkovich, Gary Sinise
Video link: https://youtu.be/5Ddap2Pyhtw
KILLING SOMEONE YOU WORK WITH, WITH A GUN, NO HESITATION
Call of
Duty 4: Modern Warfare
Initial release date: 5 November 2007
Composer: Stephen Barton
Awards: VGX Award for Best Shooter, more
Platforms: PlayStation 4, PlayStation 3, Xbox One, Xbox 360
Developers: Infinity Ward, Aspyr Media, n-Space
Video link: https://youtu.be/RNaqBwjqxjQ
FIRST PART OF THE VIDEO IS THE SAME AS PART OF THE THRILLER
American
Sniper
Release date: 16 January 2015 (United Kingdom)
Director: Clint Eastwood
Adapted from: American Sniper: The Autobiography of the Most
Lethal Sniper in U.S. Military History
Cast: Bradley Cooper, Sienna Miller.
Video Link: https://youtu.be/USAKb8nvFcQ
Autumn Mitchel Media
Wednesday, 1 February 2017
Editing Reflection
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We used Adobe Premiere Pro when editing our thriller. Once the sequence had finally been put together we moved on to adding the effects. No sounds had to be re-recorded so that was on thing we did not have to worry about. As our thriller involves a shot thats from point of view of the recruited sniper, we went online and chose a sniper scope template and went from there to create a scope that using CGI we added over the shot to create the effect of looking through the scope. It took a while to do and it was slightly complex but in the end it looked very effective and realistic. We then needed to add in the gunshot wound, Matt helped us with this, after chosing the way we wanted the shot wound to look on the actor Matt showed us how to get the wound to track and stick to a certin spot, upon doing this all CGI effects were finished. Next we added in the titles, this was most likely the easiest part of the editing process. We simply added the text and changed the font to something that fits the spy themed thriller and is easy to read. We wrote out all the information and it appeared across some of the shots in the thriller and they appeared for just the right amount of time for the audience. The final title appeared on a black background at the end of the thriller and it was the title, we decided to name it "The Recruitment".
The last thing we did was add in the gunshot sound effect. There were many times of gunshot sounds stored onto the computer and there must have been 100 to choose from. We dicided to use the most accurate noises to fit each of the individual guns used as props in the thriller. For the sniper we of course used the sniper riffle effect which is reasonably quiet as a sniper gun would be, and for the final noise we used a handgun sound for the handgun. Once this was completed we had finished our thriller and it was ready to be posted.
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